This exhibition brings together three bodies of work by contemporary women photographers – Heather Agyepong, Jenny Lewis and Lydia Goldblatt – each of whom turns the camera inward to explore the shifting terrain of selfhood, memory and interior life.
Heather Agyepong’s Ego Death draws on Jungian psychology and performative practice to investigate the collapse of fixed identity. Through layered self-portraits and re-enactments, Agyepong challenges the limits of representation, questioning who controls the narrative of self and how transformation might emerge through surrender. Her work oscillates between vulnerability and strength, inviting viewers into a space of unguarded reflection.
Jenny Lewis’s UnBecoming marks a radical departure from her earlier portraiture, turning the lens on herself in order to navigate the paradoxes of middle age, motherhood and autonomy, using the act of self-imaging as both witness and release. Through fractured self-portraits and intimate encounters with her daughter, Lewis explores hereditary time, impermanence, and the longing for reconnection with a body both severed and resistant.
Lydia Goldblatt’s Fugue expands this dialogue with a lyrical meditation on memory and fragility. Combining still images and fragments of family life, Goldblatt creates a visual language that mirrors the disorientation felt during Lockdown and familial illness. These photographs are tender and fractured, evoking the simultaneous presence and absence at the heart of human connection.
Together, these works position photography not as a mirror of the external world but as a medium of introspection: probing the unseen, mapping states of being, and articulating what resists easy visibility. A Mind of One’s Own foregrounds the courage of artists who use the medium to test the boundaries of selfhood, embracing doubt, rupture and renewal as part of what it means to live fully in one’s own mind. The exhibition articulates varied strategies for representing inner life—spanning performance, documentary, abstraction and conceptual staging.
Details of Exhibition here
This exhibition brings together three bodies of work by contemporary women photographers – Heather Agyepong, Jenny Lewis and Lydia Goldblatt – each of whom turns the camera inward to explore the shifting terrain of selfhood, memory and interior life.
Heather Agyepong’s Ego Death draws on Jungian psychology and performative practice to investigate the collapse of fixed identity. Through layered self-portraits and re-enactments, Agyepong challenges the limits of representation, questioning who controls the narrative of self and how transformation might emerge through surrender. Her work oscillates between vulnerability and strength, inviting viewers into a space of unguarded reflection.
Jenny Lewis’s UnBecoming marks a radical departure from her earlier portraiture, turning the lens on herself in order to navigate the paradoxes of middle age, motherhood and autonomy, using the act of self-imaging as both witness and release. Through fractured self-portraits and intimate encounters with her daughter, Lewis explores hereditary time, impermanence, and the longing for reconnection with a body both severed and resistant.
Lydia Goldblatt’s Fugue expands this dialogue with a lyrical meditation on memory and fragility. Combining still images and fragments of family life, Goldblatt creates a visual language that mirrors the disorientation felt during Lockdown and familial illness. These photographs are tender and fractured, evoking the simultaneous presence and absence at the heart of human connection.
Together, these works position photography not as a mirror of the external world but as a medium of introspection: probing the unseen, mapping states of being, and articulating what resists easy visibility. A Mind of One’s Own foregrounds the courage of artists who use the medium to test the boundaries of selfhood, embracing doubt, rupture and renewal as part of what it means to live fully in one’s own mind. The exhibition articulates varied strategies for representing inner life—spanning performance, documentary, abstraction and conceptual staging.
Details of Exhibition here